Meltdown by Mind Spiders

I hate spiders. I hate those creepy crawly disgusting things and I want to crush every single one of them out of existence.

Now, if you think that orientation turned me off to Mind Spiders’ new album, Meltdown, you fail to realize how seriously I take my professional responsibilities. I would never let my personal feelings interfere with my objectivity in appraising music.

Especially when the music kicks ass!

Meltdown is an ass-kicker from the get-go. The first five songs in particular are take-the-top-down-grab-a-beer-pull-out-a-pack-of-smokes-and-hit-the-highway-baby songs that will get you speeding in seconds. “Beat” is a killer single, a bit reminiscent of Blink at their best, but with a touch of Ramones to give it some cheeky grit. “More Than You” is so damned hot you may need to pull over to the roadside for a quickie. And if the Bobby Fuller rhythm guitar and relentless beat of “Play You Out” doesn’t make you want to scream in ecstasy, you’re either dead or you’re Rick Santorum.

After that opening rush, Mark brings in the arachnids in with back-to-back creepy spider songs. I reminded myself of my professional ethics and damned if I didn’t love “Fall in Line” with its perfect crunch guitar reminiscent of the garage sound the Yardbirds mastered way back when.

“Upside Down” is more spiders, but still a pretty catchy tune. After that I kinda checked out until the album-ending title track. “Meltdown” is an instrumental piece to which I will proudly assign a new genre: Moroccan Post-Punk at the Casbah. I’m not sure why it works and why it fits with what I’ve told you about the album so far, but somehow it’s the perfect ending to an intense piece of work.

The first Mind Spiders effort was Mark Ryan and a bunch of electronic boxes. Now Mind Spiders is a 6-piece band (with two drummers, no less). The band makes Ryan’s vocals and songwriting talent shine much stronger than they did on the first Mind Spiders album; the sound is crisper and cleaner without going anywhere near the dreaded line of overproduction. I’d love to see this band live.

I may never get over arachnophobia, but Meltdown will be blasting through my headphones for a while, spiders be damned.

 

6 responses

  1. […] “Meltdown” by Mind Spiders. Listen. Review. […]

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  2. […] There are two essentials to great rock-and-roll: energy and rhythm. The singer may be off key, the guitar riffs may be simple, the drummer may not do much beyond keeping the beat . . . but if the performer feels it and the rhythm section drives it, it’s going to sound like magic. You hear this most often in the early rock performers of the 50′s, like Little Richard and Buddy Holly: the excitement, the delight, the feeling of release that characterizes great rock music. The Beatles definitely had it, The Ramones had it, but lately, I haven’t heard much of it in the releases from Anglo-Saxon universe, except on some of the songs from the The Mind Spiders’ latest. […]

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  3. […] is where Peter Gabriel got the idea for “Moribund the Burgermeister.” I mentioned in my review of Mind Spiders’ Meltdown that I hate spiders with a burning passion (my favorite execution method involves frying them with […]

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